My body is A7iii. Reason why iam mentioning the Sony FE 70-200mm f/2.8 GM OSS is for the Night Shots being a f/2.8 which is twice as much Light than the f/4.5 and for more reach would use a Sony FE 1.4X Teleconverter or a Sony FE 2x Teleconverter … which would bring me to 98-280 mm and 140-400mm … but im taking also of Fast Moving Objects at Distances of 10 kms away and above at Night as for Day … without loosing Sharpness and easy to Focus too … what do you think ? For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of … If I only want one more lens for telephoto would you choose the FE 85 F1.8 or the 70-300 G? It’s a pricey beast of a lens, but it could be the only lens you ever need. My thinking after reading all the above is the Sony 24-70 f/2.8 (don’t mind too much the price as long is worth it) but any help/advice would be much appreciate it. It’s an excellent lens for the uses you describe. Apochromatic lens design delivers crisp, aberration-free imagery and finest details. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. In combination with the fast f/1.8 aperture, this is another reason that the 35mm f/1.8 is so good for low-light shooting. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). One area where … This is a departure from previous GM lenses, which tend to be large in order not to sacrifice optical performance. However I am a little bit concerned about the auto focus, especially for fast moving subject. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! 4. BEST IN CLASS: Meyer-Optik Gorlitz Trioplan 100 F2.8 II Lens | Price: $999 However, if there are better lens for it. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. Versatile telephoto zoom lens that takes over right where the FE 24-70mm leaves off. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. . WIDER CHOICE: Venus Optics Laowa 12mm f/2.8 Zero-D Lens | Price: $949 Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. Buy 2 or more lenses at lowest-ever prices and receive Sony rebates of up to $200 per lens purchased! Additional GMs are not an option, but am open to primes and zoom. Manual focus telephoto prime lens with fast f/2.0 maximum aperture for low light and shallow depth of field control. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. Its advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. Once again, great lens, but when you’re talking 10 KILOMETERS away, you’re probably gonna need a LOT more lens than 200mm, unless those fast moving flying saucers are HUGE! If you can only afford one lens – this would be my choice. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. On a full frame camera, 35mm is incredibly versatile. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). For video, any of these lenses are excellent in that respect. Fast f/1.4 design is ideal for working in low-light and selective control over depth of field for isolating subjects and working with selective focus. Before anything else, this is the one lens every Sony mirrorless shooter should own. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). However, the Sony FE 24mm F1.4 GM delivers vivid, sharp images, whether a shot at F1.4 or closed down to shorter apertures. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. Hi Brian. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. 24-70 2.8, 90 2.8 macro and 135 1.8 I think I’ll go for that. I like your first two lenses, so you’re off to a good start. Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. As part of the Art line of lenses, this 135mm f/1.8 is designed for high-resolution rendering, and utilizes FLD and SLD glass to control chromatic aberrations and color fringing for notable clarity. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. Features moisture-resistant design and fluorine coating for working in inclement conditions. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! The optical design also incorporates both an aspherical and an extra-low dispersion element, which work to suppress chromatic and spherical aberrations for increased clarity throughout the focus range. The World’s Fastest 15mm Lens for Sony Full Frame E-mount Cameras is the Laowa 15mm f/2 FE Lens featuring a 110° Angle of View, Ultra-fast f/2 aperture and 72mm filter thread. Hi Brian, Trying to dial my kit what that trip in mind is making me anxious as all these awesome full frame lenses are expensive and I don’t want to make a costly mistake. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. Bokeh produced by the 35mm f/1.4 is simply amazing. Thank you for supporting this website through purchases from our affiliate partners: Highly recommended! The apodization lens element reduces light transmission to T5.6 when set to the lens’s maximum f/2.8 aperture. RXD stepping motor enables quick, near-silent autofocus performance for stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. Thanks again for all your help. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. While lacking the range to 24mm like the other lenses on this list, Tamron offers the lowest price. I´m goin to buy a Sony A7 III very soon. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. (If there was an f/1.8 35mm, I would’ve got that too!). Would the 24-105 f4 be a good choice if I only plan to buy one lens to start with? Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. Hello Briam. The Sony FE 55mm f/1.8 is a stellar performer, with superb, even sharpness across the frame. BEST IN CLASS: Sony FE 200-600mm F5.6-6.3 G OSS Lens | Price: $1,998 BEST BARGAIN: Tamron 17-28mm f/2.8 Di III RXD Lens | Price: $899 Samyang’s first autofocus lenses are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. As i asked You, which Full Frame E-Mount Camera with Fast Auto Focus and high fps would you Recommend me to be the perfect Combination with the Sony FE 100-400mm GM for Aviation Photography , fast Fighter Jets ? Starting with the Top Ten things users need to know about the cameras, author Brian Smith, a Pulitzer Prize-winning photographer and Sony Artisan of Imagery, carefully guides you through the operating features of Sony a7, a7R, a7S, a7II and a7RII and how to use them. For all around lens, the 24-70mm is too short to my like. Also, aspherical and advanced aspherical elements minimize spherical aberrations and help to maintain the lens’ compact, lightweight form. I love street photography and portrait photography in natural looking. It also exhibits very little distortion. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. When you say manual focus video, I immediately think of Zeiss Loxia…until you mention affordable… So have a look at Voigtlander. OSD stepping motor achieves fast and near-silent autofocus along with full-time manual focus override. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. While its center resolving power is not as great as on the Sony FE 35mm f/2.8, it gets pretty darn close in comparison and has much better mid-frame and corner performance: It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). The new Sigma wide-angle model stands out with its thoroughly corrected magnification chromatic aberration and sagittal coma flare, as well as completely minimized distortion thanks to its optical design. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. I was on the fence for a while whether to include the excellent Sony FE 35mm f/2.8 here instead, but realised that my love for that lens was mostly due to its size rather than its optical performance. Photojournalists, sports and wedding photographers rejoice! Optical SteadyShot image stabilization facilitates sharper imaging in low light situations and when shooting at long telephoto lengths. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. Didn’t mean 70-105. The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. I have A7R III Best Portrait E-Mount Lenses. Its wide focal length and fast aperture make it a practical and versatile lens. BEST COMPACT: Tamron 20mm F/2.8 Di III OSD M 1:2 Lens | Price: $349 LOWEST PRICE: Tamron 28-75mm F/2.8 Di III RXD Lens | Price: $799 I know some time has passed. There’s clearly a lot of choice for Sony shooters in 2020. sony 16-35 f4 If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. BEST BARGAIN: Rokinon AF 50mm f/1.4 FE Lens for Sony E-mount | Price: $699 So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. (A7III 🙂 ), It’s just that I’m a little worried about that f4.. like getting photos that have somewhat darker tones and obviously not having the ability to capture fast action. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). I’m planning to buy 24mmf1.4 gm and 135mmf1.8 gm. One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. I am not a photographer, just a traveler who enjoys photography 🙂. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. In addition to Africa I have a trip to europe, other fun summer adventures, and then I will be shooting a rock climbing adventure for a week. tamron 28-75 f2.8 Please help me! BEST COMPACT: Voigtlander 10mm F5.6 Heliar E-Mount Lens | $1,099 Would you agree? BEST MANUAL FOCUS: Zeiss Loxia 21mm F2.8 T* Lens | Price: $1,499 This also means I changed my mind and I will go for the FE … Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions. OSD stepping motor achieves fast and near-silent autofocus performance along with full-time manual focus override. BEST IN CLASS: Sony FE 20mm F1.8 G | Price: $898 Plz…. I don’t think I need more than 300 for a Kenyan safari.. as a data point. Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. My choice would be the Sony FE 135mm F1.8 GM which is easily the sharpest lens I’ve ever owned all the way down to its minimum focus distance thanks to its floating focus system which moves to focus groups independently. Just got a new A73 with FE 28 F2. The focal length is ideal for a majority of my wildlife photography needs, and this lens works great with teleconverters – the 2x extends the focal length up to 1200mm. 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